Showing posts with label paula bidwell. Show all posts
Showing posts with label paula bidwell. Show all posts

Wednesday, December 16, 2009

Ledger Art Drawings Pins Earrings Necklace


History: During the 19th century, Indians of the Apache, Cheyenne, Sioux (Lakota), Kiowa and other tribes of the Great Plains were deprived of all traditional and cultural ways of life. Being very adaptable our ancestors created art in the traditional record keeping method what is called today pictographs. These pictographs were historic, symbolic and visionary records of events that occurred. The available materials for this were discarded ledger books. Ledger art or ledger drawings are highly recognized and represented in most major art museums around the world today.



Symbolism: Some of the Ledger Art drawings are records of important visions and dreams, often depicting spirits or mystical beings. Some are records of important battles. Some are records of unusual heroic and significant events. (The one I love the most is of a woman who kills two enemies simultaneously.) Our history and spiritual power is recorded in these Ledger Drawings. They are of utmost importance to all of us, Indian or non-Indian. “Lest we forget”. It is for this reason that I was inspired to create these earrings, necklaces and pins. Bless us all for our new found compassion, forgiveness and bravery in a new world.



Artist: Paula Bidwell of Native Talisman Art is an American Indian artist, jeweler and author. She is also considered an Indigenous Healer and spent many years on the reservation learning traditional healing and ceremony. She combines being an artist and indigenous healer into her art. Paula believes strongly that we are all related and there is very little separation between us. Her art resonates with all cultures and peoples.


Sunday, October 4, 2009

Native American Symbols - Turtle



Symbolism: Turtle Island is another term for the North American continent. I remember hearing the story when I was a little girl. I’ll tell it as best as I can remember.


A long time ago there was a tremendous flood. The survivors were the creatures that could swim and fly. Immediately after the flood, the turtle, dove to the bottom and brought up a clod of earth and placed it on it’s back. Soon the other animals and birds followed the turtle and dove and dove into the water bringing up more and more earth placing it on Turtles back. Suddenly winds from all four directions gusted and gailed and the turtle became large and larger and the clods of earth grew larger and larger eventually making a new earth on the turtles back. Everything re-populated and we have the turtle to thank for saving the North american continent.


Symbolism: The Eagle Feathers take our prayers, wishes and desires directly to the Creator. The feather is considered a great gift from the Eagle who listens intently to our words and even our silent thoughts. The Eagle also closely watches all of our actions.

Inspiration: The turtle shield earrings have a green circle showing the earth and the red and green triangles showing the healing medicines from above and below. Head and tail pointing north and south show us we will never be lost. The Eagle feathers remind us that if we ask we will receive. The Eagle Feathers in these earrings are my design with the black tip in the shape of a Water Bird. The Water Bird dives into the water and brings up medicine from the bottom of lakes depositing them on the shore for us to use. Much like the Turtle, the Water Bird has an affiliation with land and water. These earrings are deeply symbolic and remind us that we have available everything necessary for a successful life in this world.


Teachings: Some turtles are engraved with thirteen segments on their shells. These represent the thirteen moons in a lunar year and the thirteen cycles in a woman’s body. In each of these moon segments there are teachings. I cannot tell all the teachings, but in general there are lessons of patience in the slow movement of the turtle, perseverance in the Turtle’s untiring completion of every journey, awareness of surroundings, knowledge that we have everything we need represented by Turtle’s home on it’s back and adaptability represented by the fact that Turtle can live on earth or in the water.


Artist: Paula Bidwell of Native Talisman Art is an American Indian artist, jeweler and author. She is also considered an Indigenous Healer and spent many years on the reservation learning traditional healing and ceremony. She combines being an artist and indigenous healer into her art. Paula believes strongly that we are all related and there is very little separation between us. Her art resonates with all cultures and peoples.


These earrings are available for $18.95 plus $3.00 shipping at:

Native Talisman Art

Etsy Shop Handmade

E-Bay

1000 Markets



Sunday, August 16, 2009

Baha'i Candlelight Vigil Photos

Bahai Candlelight Vigil on Santa Fe Plaza

Photo(s) (c)Paul Slaughter 2009


People 2, Baha'i Candlelight Vigil on Santa Fe Plaza August 7, 2009


Father and Daughter, Baha'i Candlelight Vigil on Santa Fe Plaza August 7, 2009

Monday, July 27, 2009

Bahai Candlelight Vigil



On Friday, August 7th, from 7:30 to 9:15 PM, the Baha’i Community of Santa Fe will present a devotional and musical program and candlelight vigil on the Santa Fe Plaza in support of the Baha’i’s imprisoned in Iran and facing imminent death, and to promote freedom of all religions and worldwide human rights. The Honorable Mayor David Coss of Santa Fe and a representative of the Baha’i community of Santa Fe will address the gathering.



For more information and interesting details: http://www.NativeTalismanArt.com Click on left sidebar "Bahai Candlelight Vigil"

On May 14, 2008 Iranian government officials arrested six well-known Baha’i’s and took them to the notorious Evin prison, in Tehran. A seventh Baha’i was arrested on March 5, 2008. Now, one year later “The Yaran 7” (The 7 Friends)”, as they have become known, are scheduled for a staged trial that will determine their fate. The last time a similar event occurred, in 1980 after the Iranian Revolution, all nine Baha’i’s taken into custody were executed. No charges have been filed. Their only crime is being a Baha'i.


Not even Nobel Peace Laureate and attorney, Dr. Shirin Ebadi, who volunteered to represent the Baha’i’s, has been permitted to meet with and interview the prisoners.


Arrested were: Mrs. Fariba Kamalabadi, Mr. Jamaloddin Khanjani, Mr. Afif Naeimi, Mr. Saeid Rezaie, Mr. Behrouz Tavakkoli, Mr. Vahid Tizfahm, and Mrs. Mahvash Sabet. All live in Tehran.



Article 18 of The Universal Declaration of Human Rights, which Iran has ratified, guarantees "the right of thought, conscience and religion," as well as the right to change religion and "to manifest ... religion or belief in teaching, practice, worship and observance."


However, in Iran, active repression of the Baha’i community is official government policy. This policy was outlined in a secret memorandum that was uncovered and published by the U.N. Human Rights Commission in 1993. Written by the Iranian Supreme Revolutionary Cultural Council in 1991 and signed by Supreme Leader Ali Khamenei, this document provides a blueprint for the suppression of the Iranian Baha’i community. It contains specific guidelines for dealing with the Baha’is so that “their progress and development are blocked.”


Some 300,000 Baha’is live throughout Iran, making the Baha’i Faith the country’s largest minority religion. Baha’is have been targets of discrimination and violence in Iran since the religion began there in the mid-nineteenth century. More than 200 Baha’is were killed in Iran between 1978 and 1998, the majority by execution, and thousands more were imprisoned, suffering torture. Today the Iranian government regards Baha’is as apostates and “unprotected infidels.” Baha’is in Iran have no legal rights, and they are not permitted to elect leaders of their community. The Baha’i Faith has no clergy, and community affairs are coordinated by democratically elected governing councils called Spiritual Assemblies.


About the Baha'i Faith
The Bahá'í Faith is the youngest of the world's independent religions. Its founder, Bahá'u'lláh (1817-1892), is regarded by Bahá'ís as the most recent in the line of Messengers of God that stretches back beyond recorded time and that includes Abraham, Moses, Buddha, Krishna, Zoroaster, Christ and Muhammad.


The central theme of Bahá'u'lláh's message is that humanity is one single race and that the day has come for its unification in one global society. God, Bahá'u'lláh said, has set in motion historical forces that are breaking down traditional barriers of race, class, creed, and nation and that will, in time, give birth to a universal civilization. The principal challenge facing the peoples of the earth is to accept the fact of their oneness and to assist the processes of unification.




One of the purposes of the Bahá'í Faith is to help make this possible. A worldwide community of some five million Bahá'ís, representative of most of the nations, races and cultures on earth, is working to give Bahá'u'lláh's teachings practical effect. Their experience will be a source of encouragement to all who share their vision of humanity as one global family and the earth as one homeland.




For further information about the plight of the Iranian Baha’i community, please visit the web site: iran.bahai.us


For further information about the Baha’i Faith and the global community of Baha’is, please visit the website: bahai.org





Saturday, May 16, 2009

Native American Thunder Bird Woman




As a young adult living in the Black Hills of South Dakota I remember feeling like I was living in an enchanted land where everything was in harmony with the ancient beings (Tunkasilas). I felt mystery, power and an overwhelming sense of the sacred during most of my days. Even though this was a magical and sacred time, it was also a time of growth and change, which brought about some difficult experiences and profound dreams and visions that would shape the rest of my life.

In retrospect, I believe the most important change occurred regarding the way I viewed the world. From early childhood, I seemed always to be in a position of the adversary. Pitting “us” against “them”. Culture against culture, race against race, poverty against wealth, etc, etc. This was an adversarial way of living that had to stop, because I was also learning traditional healing methods and ceremonies and there is no room for oppositional or separatist thoughts when living the true life of a human being or walking the “red road”(Canku Luta).

One of the first things that helped me overcome such feelings was the fact that my elder uncle began to open his Sweat Lodge (Inipi) ceremonies to all races and cultures. At the time, the early 1980’s, this concept was almost unthinkable and often severely criticized. I had been given the rights to conduct women’s Inipi (Sweat) ceremonies; and this uncle would ask me to conduct them for the women who regularly attending his ceremonies. Because a lot of the attendees were from different cultures and races, I was very uncomfortable. But because of the deep respect I held for my uncle I conducted the ceremonies without question or complaint.

After almost a year, I became so uncomfortable I had to ask him why he was doing this. He told me he had a vision during Sun Dance. He said the Tunkasilas (ancient beings) told him to help all people regardless of race or culture. They told him this was his contribution to mending the “Sacred Hoop”.

The mending of the sacred hoop is a very lengthy discussion. But, in general, it means bringing the people back together as one circle of humanity. It was Arvol Looking Horse, the Keeper of the Sacred Buffalo Calf Pipe (Canunpa) who told me the Sacred Hoop was made up of all races and that we had to bring the people back together or humanity as we know it would not survive.

So, here were two very influential people in my life saying the same thing. I knew somehow I had to begin to heal my world view. It took years to even get close to a feeling of peace. I prayed and fasted and prayed and fasted. Over and over I tried and tried, slowly making small successful steps.

During this time of change, I made my living as an artist. When I had important dreams and visions, I usually illustrated them. Many of these visions were the ancient beings and holy ones telling me of methods for healing or explaining how these methods worked. But, several were directly related to my process of healing an “Us and Them” world.

When I had these dreams, I usually would wake up around 3:00 o’clock in the morning. It would still be dark, so rather than fumble around searching for pen and paper, I began to leave these things out on a table ready for use.

Each time this happened, I found myself using a technique called pointillism. Pointillism takes a long and focused amount of time to execute. The technique involves making thousands of tiny dots that connect to each other to make a detailed image.

As I used this technique, I would become so immersed in the memory of the vision that I often lost track of time. But one thing I never did was loose track of my perspective. I knew if I remained looking only at the tiny dots, I would loose the image as a whole. Keeping your perspective takes repeated movements of holding the drawing at a distance, or keeping it close and squinting your eyes so you can view the image as a whole.

The following is the story of one of those dreams, the dream of Thunder Woman.

Thunder Woman came to me in the beginnings of a terrific thunderstorm. I awoke to the sound of thunder and the distinct smell of ozone in the air. I got up to look out the window. As I was gazing out the window I began to see a figure in the distance. As I focused on the figure, the figure came closer and closer. Soon I could see every detail.

I must have been in some sort of dream state, because none of this seemed odd or unusual. I was standing beneath a small hill looking up at the most powerful female being I had ever encountered. She stood on top of the hill, with her skirts flowing into the earth. As she gazed out over the land, she spread her arms, and a fabulous array of lightning emanated from them. Then she brought her hands together in a clap and the thunder boomed across the land. A voice boomed from the figure saying, “Understand this power. Use it in honor of all races of women who face upward without fear.” As soon as she said this, she disappeared.

I felt a little confused and wondered exactly what did she mean? I didn’t know what else to do other than go to my studio and draw her image. As I was making all those tiny little dots, I began to think of the connection I felt with women, how similar we were even with different cultures and especially how us mothers could understand each other even with different languages. This was a very important step in my struggle to experience the connectedness of all people and to participate in the healing of the Sacred Hoop. For me, it had to begin with a female connection and Thunder Woman gave me that.

While drawing her image, I remembered some of the stories my elders had told me. I was taught that the ancient beings often referred to as “Thunder Birds”, are more than birds. The bird actually represents the male “Thunders”. My elders told me Thunder Beings are both male and female. The male lives in the sky and the female in the earth. When they meet they create lightening and the sound of thunder. They are called Wakinyan in the Lakota language.


As a note of interest, just after I had this vision I mysteriously received a complimentary copy of Time magazine in my mailbox. The magazine featured an article on Lightning. The article said that lightning, and the ensuing sound of thunder, were caused by two forces. One emitted from the earth that rises to meet a second force coming down from the sky. Which in turn creates the lightning bolt and the sound of thunder.

Whenever confirmations of visions and dreams happen like this, I am always amazed at the knowledge my ancestors carried. I have learned to love science because it so often proves beliefs that were previously considered superstitious.

Mitakuye Oysin (We are all related)
Paula Bidwell
Native Talisman Art

Friday, March 20, 2009

Native American Cooking and Recipes Part I - Pemmican



Native American cooking and recipes cover a broad spectrum. From the east, south, west and northern regions each with their own indigenous food sources. This article covers the Western Plains Indians, specifically Lakota (Sioux).

Many techniques and methods of cooking are not used today except on rare occasions when a ceremony would require it. In ceremony, the food is cooked outdoors over hot coals or buried in the ground over hot coals. Originally, cooking vessels were rawhide containers. Heated stones were added to the mixture to heat. Most meat and produce were dried. So this method worked well since the ingredients were dried there wasn’t any “cooking” per se, just a heating of ingredients.

Most foods were eaten raw or dried, since the process of building a fire is time consuming and uses a lot of wood. The dried foods were not dull or lacking in flavor. They were mixed with other ingredients. An example of this is what many people know as “Pemmican”. In Lakota it is called “Wasna” (Was-nah).
Wasna is also a traditional food for sacred ceremony. When prepared for ceremony there are specific methods and actions required. I will write another article on Cooking for Ceremony at a later date.

The following is the traditional recipe for making this wonderful and tasty food called “Wasna”.

Wasna
Dried meat without any seasonings, not even salt.
Canpa (choke cherry patties) or raisins
Kidney fat or lard
Sugar

Put dried meat in a pillowcase and pound with a hammer until very fine. Put the
pounded meat into a bowl and mix in the choke cherries or raisins and sugar.

Heat the kidney fat , suet or lard until melted. Cool until you can handle it with your hands and
not burn yourself. Pour enough fat or lard into the meat mixture to slightly moisten and
mix well. You want this mixture to stick together only a bit for ease of eating. Eating is done with a spoon or pinched into the hand.

For a complete Native American cookbook please see my website at: http://www.nativetalismanart.com

Saturday, February 14, 2009

Amethyst � Sending a Voice Stone (The Talking Stone)



Amethyst sends a voice out into the universe. Whatever you�re feeling and thinking, Amethyst will translate and send. This stone is especially good for people using mantras and the Secret or Law of Attraction. Use this stone carefully, whatever you think and feel, it will send and the Universe will manifest.

Wear it in a medicine bag or in a piece of jewelry. Or use it as a meditation tool to focus your sight on. Although, I caution whatever way you use it, use it only on days and times when you are focused. It is best to use in an uncut, unpolished, raw form. The �voice� in it�s natural state is clearer and louder with more force and power.

There are sounds and/or songs that resonate with every crystal, stone, rock or mineral. To find the tonal vibrations, hold and/or look at the stone in a meditative state and wait for a tingling sensation in your stomach (2nd chakra) around your navel. When the tingling begins, without thinking, open your voice and let the sound(s) or song come out. It�s a good idea to have a voice recorder, such as tape or digital . Since you are in a meditative state sometimes it�s hard to remember the earthly stuff.

After you have the sound or song that goes with your stone use it every time you use the stone. It will awaken the stone, especially if it hasn�t been used in a long time. Also, the sounds or song will help the stone focus on you, and not on other transmissions and interferences that may be in your environment. Living in a crowded environment like a city or apartment complex can buffer your intent because of so many other intentions in close proximity. Use the song to eliminate these interferences.

How do I know that? During my early training in the ceremonial ways of the Lakota, I found a particularly rare rock. My teachers taught me how to retrieve the song that belonged to it. I have used this teaching for every stone that comes to me. The method for doing this is basically described above, waiting for the tingling in your stomach navel area and then letting the sound out.

I was also taught several ways to talk with the �rocks�. Some rocks have ears, some have mouths, some you can put to your ear and hear a buzzing sound. Sometimes it takes years to learn how to work with a particular stone. Stones have a very different sense of time. Consider that they are the first living beings on the planet. Each one is eons old. Some of you may know the Lakota word �Tunkasila�, which is generally translated as �grandfather�, but the original word means �very ancient rock�. It was an analogy for the Creator, Ancient Mystery, God, etc. There�s a lot of wisdom and power in that. So, take your time. Make sure you get something authentic and not a creation of wishful thinking. I waited seven years for one particular rock�s song. And then it came out with so many songs, I couldn�t remember them all. Each song was for a particular healing modality. My teachers say that each of those songs is in my heart and I will remember them when the time comes.