Showing posts with label Amethyst. Show all posts
Showing posts with label Amethyst. Show all posts

Saturday, February 14, 2009

Amethyst � Sending a Voice Stone (The Talking Stone)



Amethyst sends a voice out into the universe. Whatever you�re feeling and thinking, Amethyst will translate and send. This stone is especially good for people using mantras and the Secret or Law of Attraction. Use this stone carefully, whatever you think and feel, it will send and the Universe will manifest.

Wear it in a medicine bag or in a piece of jewelry. Or use it as a meditation tool to focus your sight on. Although, I caution whatever way you use it, use it only on days and times when you are focused. It is best to use in an uncut, unpolished, raw form. The �voice� in it�s natural state is clearer and louder with more force and power.

There are sounds and/or songs that resonate with every crystal, stone, rock or mineral. To find the tonal vibrations, hold and/or look at the stone in a meditative state and wait for a tingling sensation in your stomach (2nd chakra) around your navel. When the tingling begins, without thinking, open your voice and let the sound(s) or song come out. It�s a good idea to have a voice recorder, such as tape or digital . Since you are in a meditative state sometimes it�s hard to remember the earthly stuff.

After you have the sound or song that goes with your stone use it every time you use the stone. It will awaken the stone, especially if it hasn�t been used in a long time. Also, the sounds or song will help the stone focus on you, and not on other transmissions and interferences that may be in your environment. Living in a crowded environment like a city or apartment complex can buffer your intent because of so many other intentions in close proximity. Use the song to eliminate these interferences.

How do I know that? During my early training in the ceremonial ways of the Lakota, I found a particularly rare rock. My teachers taught me how to retrieve the song that belonged to it. I have used this teaching for every stone that comes to me. The method for doing this is basically described above, waiting for the tingling in your stomach navel area and then letting the sound out.

I was also taught several ways to talk with the �rocks�. Some rocks have ears, some have mouths, some you can put to your ear and hear a buzzing sound. Sometimes it takes years to learn how to work with a particular stone. Stones have a very different sense of time. Consider that they are the first living beings on the planet. Each one is eons old. Some of you may know the Lakota word �Tunkasila�, which is generally translated as �grandfather�, but the original word means �very ancient rock�. It was an analogy for the Creator, Ancient Mystery, God, etc. There�s a lot of wisdom and power in that. So, take your time. Make sure you get something authentic and not a creation of wishful thinking. I waited seven years for one particular rock�s song. And then it came out with so many songs, I couldn�t remember them all. Each song was for a particular healing modality. My teachers say that each of those songs is in my heart and I will remember them when the time comes.

Tuesday, November 25, 2008

The History of Native American Bone Chokers



The History of Native American Bone Chokers: What they were used for – How they were made – What they were made of by Paula Bidwell Native Talisman Art E-Bay store owner, artist and indigenous healer.

Bone chokers originally were made from bird legs. They were seldom used as just ornamentation. They were used as physical protection for the throat from a possible knife attack. The jugular vein is in the neck and is lethal if cut. They were also used in conjunction with physical protection as a spiritual protection for the voice. Because most birds are noted for the sounds they make or for their singing quality. The spirit of the bird could be invoked to protect the person’s voice from ailments, jealousy or fatigue. There is also a cultural saying for men – “You become a man when you can speak your heart to the people - clearly and without fear - honor, bravery and victory are yours.”

The bird was not always killed to make the chokers. Most often they were found after a preditory animal had already killed them or they had died a natural death. This was considered a good sign when found. Not only for the people who needed the chokers but for the bird, so it’s life would be of honor, value and service. In all instances every part of every animal was used. Nothing was thrown away. This is done out of respect for the sacrifice the animal made and to honor it’s life.

In some cases, the leg bone of a specific bird was needed. Prayers were made to the bird (usually an eagle, hawk or owl). The hunter would fast and pray sometimes for days on end. He would wait until the bird came to him. A typical story of this sort of thing, is the bird came to the hunter and landed right in from of him and sat without moving until the hunter took it’s life. They say that while the bird sits in front of the hunter. They converse with their hearts. The bird has to willingly and happily give it’s life for the purpose needed or the hunter will not kill it. Among the people, giving of life so that others may live is the ultimate ending to our existance on the earth.

Bone chokers made from the bones of bird’s legs were practical. They already had a hole through the center where the marrow was. They were already cylindrical and only a little smoothing and shaping was needed. The leg bones were cleaned and smoothed and shaped by boiling them until softened. Flint was used to trim any irregularities and a smooth stone was used to shine and smooth the surface. Beads were smaller bones which had been sliced or cut. These bones were sometimes colored with a variety of minerals, most common was red earth (vermillion). The red earth was mixed with fat and then rubbed repeatedly over the bone while the bone was still soft from boiling. To preserve the color they were regularly rubbed with fat to create a shiny coating. This also kept the bones from becoming brittle.

Real sinew from the leg of a deer or buffalo was used to thread the bones and beads. Deer or buffalo sinew was chosen because the strips of sinew were longer than other animals. Before needles a bone awl was used to punch holes in the hide spacers for threading the sinew.

Each bone choker had very special and personal meaning for the wearer. Many times they were dreamed prior to their making. It was seldom that the wearer would make their own choker. There were specific people in the tribe that did this. Many times they were assistants to a medicine person or a medicine person themselves. On the occasion that the wearer made their own choker it was usually because they dreamed it this way. Although, much help and assitance was given to the dreamer while making the choker.

Today it is much the same. You can see all kinds of chokers with symbols and specific colors for the wearer. Wolf, bear and eagle are very common. Purchasing a choker from isn’t any different from the traditional way of compensation. Which would be supply the maker with a blanket, a horse, food, etc. Any thing that is necessary to maintain life was appropriate payment. So, today we have money.

As a person who makes these chokers, I consider it a great honor when someone purchases mine. Prays are made before I even touch one of the materials that go into a choker. Then songs are sung and more prayers are made for the well-being of the wearer as the choker is assembled. Choices in color and symbols come from deep prayer. As if I already know the soon to be owner. Interestingly, as soon as I finish one, an inquiry comes or a purchase occurs.

Please visit my E-Bay store at http://www.stores.ebay.com/native-talisman-art to see all my products – authentic medicine bags, spiritually inspired art with the stories of the vision or dream, and more.

Tuesday, June 24, 2008

Amethyst - The Talking Stone


Amethyst sends a voice out into the universe. Whatever you’re feeling and thinking, Amethyst will translate and send. This stone is especially good for people using mantras and the Secret or Law of Attraction. Use this stone carefully, whatever you think and feel, it will send and the Universe will manifest.

Wear it in a medicine bag or in a piece of jewelry. Or use it as a meditation tool to focus your sight on. Although, I caution whatever way you use it, use it only on days and times when you are focused. It is best to use in an uncut, unpolished, raw form. The “voice” in it’s natural state is clearer and louder with more force and power.

There are sounds and/or songs that resonate with every crystal, stone, rock or mineral. To find the tonal vibrations, hold and/or look at the stone in a meditative state and wait for a tingling sensation in your stomach (2nd chakra) around your navel. When the tingling begins, without thinking, open your voice and let the sound(s) or song come out. It’s a good idea to have a voice recorder, such as tape or digital . Since you are in a meditative state sometimes it’s hard to remember the earthly stuff.

After you have the sound or song that goes with your stone use it every time you use the stone. It will awaken the stone, especially if it hasn’t been used in a long time. Also, the sounds or song will help the stone focus on you, and not on other transmissions and interferences that may be in your environment. Living in a crowded environment like a city or apartment complex can buffer your intent because of so many other intentions in close proximity. Use the song to eliminate these interferences.

How do I know that? During my early training in the ceremonial ways of the Lakota, I found a particularly rare rock. My teachers taught me how to retrieve the song that belonged to it. I have used this teaching for every stone that comes to me. The method for doing this is basically described above, waiting for the tingling in your stomach navel area and then letting the sound out.

I was also taught several ways to talk with the “rocks”. Some rocks have ears, some have mouths, some you can put to your ear and hear a buzzing sound. Sometimes it takes years to learn how to work with a particular stone. Stones have a very different sense of time. Consider that they are the first living beings on the planet. Each one is eons old. Some of you may know the Lakota word “Tunkasila”, which is generally translated as “grandfather”, but the original word means “very ancient rock”. It was an analogy for the Creator, Ancient Mystery, God, etc. There’s a lot of wisdom and power in that. So, take your time. Make sure you get something authentic and not a creation of wishful thinking. I waited seven years for one particular rock’s song. And then it came out with so many songs, I couldn’t remember them all. Each song was for a particular healing modality. My teachers say that each of those songs is in my heart and I will remember them when the time comes.